Both the rise of modern science and the rediscovery of Skepticism were important influences on Descartes. Although he believed that certain knowledge was possible and that modern science would one day enable humans to become the masters of nature, he also thought that Skepticism presented a legitimate challenge that needed an answer, one that only he could provide.
The challenge of Skepticism, as Descartes saw it, is vividly described in his Meditations. He considered the possibility that an “evil genius” with extraordinary powers has deceived him to such an extent that all his beliefs are false. But it is not possible, Descartes contended, that all his beliefs are false, for if he has false beliefs, he is thinking, and if he is thinking, then he exists. Therefore, his belief that he exists cannot be false, as long as he is thinking. This line of argument is summarized in the formula cogito, ergo sum (“I think, therefore I am”).
Descartes distinguished two sources of knowledge: intuition and deduction. Intuition is an unmediated mental “seeing,” or direct apprehension. Descartes’s intuition of his own thinking guarantees that his belief that he is thinking is true. Although his formula might suggest that his belief that he exists is guaranteed by deduction rather than intuition (because it contains the term “therefore”), in the Objections and Replies (1642) he states explicitly that the certainty of this belief also is based upon intuition.
If one could know only that one thinks and that one exists, human knowledge would be depressingly meager. Accordingly, Descartes attempted to broaden the limits of knowledge by proving to his own satisfaction that God exists; that the standard for knowing something is having a “clear and distinct” idea of it; that mind is more easily known than body; that the essence of matter is extension; and, finally, that most of his former beliefs are true.
Unfortunately for Descartes, few people were convinced by these arguments. One major problem with them has come to be known as the “Cartesian circle.” Descartes’s argument to show that his knowledge extends beyond his own existence depends upon the claim that whatever he perceives “clearly and distinctly” is true. This claim in turn is supported by his proof of the existence of God, together with the assertion that God, because he is not a deceiver, would not cause Descartes to be deceived in what he clearly and distinctly perceives. But because the criterion of clear and distinct perception presupposes the existence of God, Descartes cannot rely upon it in order to guarantee that he was not deceived (i.e., that he did not make a mistake) in the course of proving that God exists. Therefore, he does not know that his proof is cogent. But if he does not know this, then he cannot use the criterion of clear and distinct perception to show that he knows more than that he exists.
Close-up-of-two-straws-in-a-glass-of-waterClose-up of two straws in a glass of water. The straws appear bent owing to the refraction of light.[Credits : Steve Lupton/Corbis]
Plato-marble-portrait-bust-from-an-original-of-the-4thPlato, marble portrait bust, from an original of the 4th century bc; in the Capitoline Museums, …[Credits : © Gianni Dagli Orti/Corbis]
Detail-of-a-Roman-copy-of-a-Greek-alabaster-portraitDetail of a Roman copy (2nd century bc) of a Greek alabaster portrait bust of Aristotle (c. …[Credits : A. Dagli Orti/© DeA Picture Library]
St-Augustine-reading-the-epistles-of-St-Paul-fresco-bySt. Augustine reading the epistles of St. Paul, fresco by Benozzo Gozzoli, 1468; in the church of …[Credits : Scala/Art Resource, New York]
Rene-Descartes-lithograph-19th-centuryRené Descartes, lithograph, 19th century.[Credits : The Granger Collection, New York]
David-Hume-oil-painting-by-Allan-Ramsay-1766-in-theDavid Hume, oil painting by Allan Ramsay, 1766; in the Scottish National Portrait Gallery, …[Credits : Courtesy of the Scottish National Portrait Gallery]
Immanuel-Kant-pencil-portrait-by-Hans-Veit-Schnorr-von-CarolsfeldImmanuel Kant, pencil portrait by Hans Veit Schnorr von Carolsfeld; in the Kupferstichkabinett, …[Credits : Marburg/Art Reference Bureau]
Edmund-Husserl-1930Edmund Husserl, c. 1930.[Credits : Archiv für Kunst und Geschichte, Berlin]
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