Philosophers wish to know not only what knowledge is but also how it arises. This desire is motivated in part by the assumption that an investigation into the origins of knowledge can shed light on its nature. Accordingly, such investigations have been one of the major themes of epistemology from the time of the ancient Greeks to the present. Plato’s Republic contains one of the earliest systematic arguments to show that sense experience cannot be a source of knowledge. The argument begins with the assertion that ordinary persons have a clear grasp of certain concepts—e.g., the concept of equality. In other words, people know what it means to say that a and b are equal, no matter what a and b are. But where does such knowledge come from? Consider the claim that two pieces of wood are of equal length. A close visual inspection would show them to differ slightly, and the more detailed the inspection, the more disparity one would notice. It follows that visual experience cannot be the source of the concept of equality. Plato applies this line of reasoning to all five senses and concludes that such knowledge cannot originate in sense experience. As in the Meno, discussed above, Plato concludes that such knowledge is “recollected” by the soul from an earlier existence.
It is highly significant that Plato should use mathematical (specifically, geometrical) examples to show that knowledge does not originate in sense experience; indeed, it is a sign of his perspicacity. As the subsequent history of philosophy reveals, mathematics provides the strongest case for Plato’s view. Mathematical entities—e.g., perfect triangles, disembodied surfaces and edges, lines without thickness, and extensionless points—are abstractions, none of which exists in the physical world apprehended by the senses. Our knowledge of such entities, it is argued, must therefore come from some other source.
Close-up-of-two-straws-in-a-glass-of-waterClose-up of two straws in a glass of water. The straws appear bent owing to the refraction of light.[Credits : Steve Lupton/Corbis]
Plato-marble-portrait-bust-from-an-original-of-the-4thPlato, marble portrait bust, from an original of the 4th century bc; in the Capitoline Museums, …[Credits : © Gianni Dagli Orti/Corbis]
Detail-of-a-Roman-copy-of-a-Greek-alabaster-portraitDetail of a Roman copy (2nd century bc) of a Greek alabaster portrait bust of Aristotle (c. …[Credits : A. Dagli Orti/© DeA Picture Library]
St-Augustine-reading-the-epistles-of-St-Paul-fresco-bySt. Augustine reading the epistles of St. Paul, fresco by Benozzo Gozzoli, 1468; in the church of …[Credits : Scala/Art Resource, New York]
Rene-Descartes-lithograph-19th-centuryRené Descartes, lithograph, 19th century.[Credits : The Granger Collection, New York]
David-Hume-oil-painting-by-Allan-Ramsay-1766-in-theDavid Hume, oil painting by Allan Ramsay, 1766; in the Scottish National Portrait Gallery, …[Credits : Courtesy of the Scottish National Portrait Gallery]
Immanuel-Kant-pencil-portrait-by-Hans-Veit-Schnorr-von-CarolsfeldImmanuel Kant, pencil portrait by Hans Veit Schnorr von Carolsfeld; in the Kupferstichkabinett, …[Credits : Marburg/Art Reference Bureau]
Edmund-Husserl-1930Edmund Husserl, c. 1930.[Credits : Archiv für Kunst und Geschichte, Berlin]
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