Many philosophers, as well as many people studying philosophy for the first time, have been struck by the seemingly indecisive nature of philosophical argumentation. For every argument there seems to be a counterargument, and for every position a counterposition. To a considerable extent, skepticism is born of such reflection. Some ancient skeptics contended that all arguments are equally bad and, accordingly, that nothing can be proved. The contemporary American philosopher Benson Mates, who claims to be a modern representative of this tradition, has argued that all philosophical arguments are equally good.
Ironically, skepticism itself is a kind of philosophy, and the question has been raised whether it manages to escape its own criticisms. The answer to this question depends on what is meant by skepticism. Historically, the term refers to a variety of different views and practices. But however it is understood, skepticism represents a challenge to the claim that human beings possess or can acquire knowledge.
In giving even this minimal characterization, it is important to emphasize that skeptics and nonskeptics alike accept the same definition of knowledge, one that implies two things: (1) if A knows that p, then p is true, and (2) if A knows that p, then A cannot be mistaken; i.e., it is logically impossible that he is wrong. Thus, if a person says that he knows Smith will arrive at nine o’clock and Smith does not arrive at nine o’clock, then that person must withdraw his claim to know. He might say instead that he thought he knew or that he felt sure, but he cannot rationally continue to insist that he knew if what he claimed to know turns out to be false.
Given this definition of knowledge, in order for the skeptical challenge to succeed, it is not necessary to show that the person who claims to know that p is in fact mistaken; it is enough to show that a mistake is logically possible. This condition corresponds to the second of the two clauses mentioned above. If the skeptic can establish that this clause is false in the case of a person’s claim to know that p, he will have proved that the person does not know that p. Thus arises the skeptic’s practice of searching for possible counterexamples to ordinary knowledge claims.
One variety of radical skepticism claims that there is no such thing as knowledge of an external world. According to this view, it is at least logically possible that one is merely a brain in a vat and that one’s sense experiences of apparently real objects (e.g., the sight of a tree) are produced by carefully engineered electrical stimulations. Again, given the definition of knowledge above, this kind of argument is sound, because it shows that there is a logical gap between knowledge claims about the external world and the sense experiences that can be adduced as evidence to support them. No matter how much evidence of this sort one has, it is always logically possible that the corresponding knowledge claim is false.
Close-up-of-two-straws-in-a-glass-of-waterClose-up of two straws in a glass of water. The straws appear bent owing to the refraction of light.[Credits : Steve Lupton/Corbis]
Plato-marble-portrait-bust-from-an-original-of-the-4thPlato, marble portrait bust, from an original of the 4th century bc; in the Capitoline Museums, …[Credits : © Gianni Dagli Orti/Corbis]
Detail-of-a-Roman-copy-of-a-Greek-alabaster-portraitDetail of a Roman copy (2nd century bc) of a Greek alabaster portrait bust of Aristotle (c. …[Credits : A. Dagli Orti/© DeA Picture Library]
St-Augustine-reading-the-epistles-of-St-Paul-fresco-bySt. Augustine reading the epistles of St. Paul, fresco by Benozzo Gozzoli, 1468; in the church of …[Credits : Scala/Art Resource, New York]
Rene-Descartes-lithograph-19th-centuryRené Descartes, lithograph, 19th century.[Credits : The Granger Collection, New York]
David-Hume-oil-painting-by-Allan-Ramsay-1766-in-theDavid Hume, oil painting by Allan Ramsay, 1766; in the Scottish National Portrait Gallery, …[Credits : Courtesy of the Scottish National Portrait Gallery]
Immanuel-Kant-pencil-portrait-by-Hans-Veit-Schnorr-von-CarolsfeldImmanuel Kant, pencil portrait by Hans Veit Schnorr von Carolsfeld; in the Kupferstichkabinett, …[Credits : Marburg/Art Reference Bureau]
Edmund-Husserl-1930Edmund Husserl, c. 1930.[Credits : Archiv für Kunst und Geschichte, Berlin]
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