The phrase that St. Anselm of Canterbury (c. 1033–1109) used to describe his philosophy—namely, “faith seeking reason” (fides quaerens intellectum)—well characterizes medieval philosophy as a whole. All the great medieval philosophers—Christian, Jewish, and Islamic alike—were also theologians. Virtually every object of interest was related to their belief in God, and virtually every solution to every problem, including the problem of knowledge, contained God as an essential part. Indeed, Anselm himself equated truth and intelligibility with God. As he noted at the beginning of his Proslogium (1077–78), however, there is a tension between the view that God is truth and intelligibility and the fact that humans have no perception of God. How can there be knowledge of God, he asks, when all knowledge comes through the senses and God, being immaterial, cannot be sensed? His answer is to distinguish between knowing something by being acquainted with it through sensation and knowing something through a description. Knowledge by description is possible using concepts formed on the basis of sensation. Thus, all knowledge of God depends upon the description that he is “the thing than which a greater cannot be conceived.” From this premise Anselm infers, in his ontological argument for the existence of God, that humans can know that there exists a God that is all-powerful, all-knowing, all-just, all-merciful, and immaterial. Eight hundred years later, Russell would develop an epistemological theory based on a similar distinction between knowledge by acquaintance and knowledge by description, though he would have vigorously denied that the distinction could be used to show that God exists.
Close-up-of-two-straws-in-a-glass-of-waterClose-up of two straws in a glass of water. The straws appear bent owing to the refraction of light.[Credits : Steve Lupton/Corbis]
Plato-marble-portrait-bust-from-an-original-of-the-4thPlato, marble portrait bust, from an original of the 4th century bc; in the Capitoline Museums, …[Credits : © Gianni Dagli Orti/Corbis]
Detail-of-a-Roman-copy-of-a-Greek-alabaster-portraitDetail of a Roman copy (2nd century bc) of a Greek alabaster portrait bust of Aristotle (c. …[Credits : A. Dagli Orti/© DeA Picture Library]
St-Augustine-reading-the-epistles-of-St-Paul-fresco-bySt. Augustine reading the epistles of St. Paul, fresco by Benozzo Gozzoli, 1468; in the church of …[Credits : Scala/Art Resource, New York]
Rene-Descartes-lithograph-19th-centuryRené Descartes, lithograph, 19th century.[Credits : The Granger Collection, New York]
David-Hume-oil-painting-by-Allan-Ramsay-1766-in-theDavid Hume, oil painting by Allan Ramsay, 1766; in the Scottish National Portrait Gallery, …[Credits : Courtesy of the Scottish National Portrait Gallery]
Immanuel-Kant-pencil-portrait-by-Hans-Veit-Schnorr-von-CarolsfeldImmanuel Kant, pencil portrait by Hans Veit Schnorr von Carolsfeld; in the Kupferstichkabinett, …[Credits : Marburg/Art Reference Bureau]
Edmund-Husserl-1930Edmund Husserl, c. 1930.[Credits : Archiv für Kunst und Geschichte, Berlin]
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