Several parts of Duns Scotus’s account are vulnerable to Skeptical challenges—e.g., his endorsement of the certainty of knowledge based on sensation and his claim that intuitive knowledge of an object guarantees its existence. William of Ockham (c. 1285–1349?) radically revised Duns Scotus’s theory of intuitive knowledge. Unlike Duns Scotus, Ockham did not require the object of intuitive knowledge to exist; nor did he hold that intuitive knowledge must be caused by its object. To the question, “What is the distinction between intuitive and abstractive knowledge?,” Ockham answered that they are simply different. His answer notwithstanding, it is characteristic of intuitive knowledge, according to Ockham, that it is unmediated. There is no gap between the knower and the known that might undermine certainty: “I say that the thing itself is known immediately without any medium between itself and the act by which it is seen or apprehended.”
According to Ockham, there are two kinds of intuitive knowledge: natural and supernatural. In cases of natural intuitive knowledge, the object exists, the knower judges that the object exists, and the object causes the knowledge. In cases of supernatural intuitive knowledge, the object does not exist, the knower judges that the object does not exist, and God is the cause of the knowledge.
Ockham recognized that God might cause a person to think that he has intuitive knowledge of an existent object when in fact there is no such object. But this would be a case of false belief, he contends, not intuitive knowledge. Unfortunately, by acknowledging that there is no way to distinguish between genuine intuitive knowledge and divine counterfeits, Ockham effectively conceded the issue to the Skeptics.
Later medieval philosophy followed a fairly straight path toward Skepticism. John of Mirecourt (fl. 14th century) was censured by the University of Paris in 1347 for maintaining, among other things, that external reality cannot be known with certainty because God can cause illusions to seem real. A year earlier, Nicholas of Autrecourt was condemned by Pope Clement VI for holding that one can have certain knowledge only of the logical principles of identity and contradiction and the immediate reports of sensation. As noted above, he denied that causal relations exist; he also denied the reality of substance. He credited these errors, along with many others, to Aristotle, about whom he said: “In all his natural philosophy and metaphysics, Aristotle had hardly reached two evidently certain conclusions, perhaps not even a single one.” By this time, the link between Skepticism and criticism of Aristotle had become fairly strong. In On My Ignorance and That of Many Others (1367), for example, the Italian poet Petrarch (1304–74) cited Aristotle as “the most famous” of those who do not have knowledge.
Close-up-of-two-straws-in-a-glass-of-waterClose-up of two straws in a glass of water. The straws appear bent owing to the refraction of light.[Credits : Steve Lupton/Corbis]
Plato-marble-portrait-bust-from-an-original-of-the-4thPlato, marble portrait bust, from an original of the 4th century bc; in the Capitoline Museums, …[Credits : © Gianni Dagli Orti/Corbis]
Detail-of-a-Roman-copy-of-a-Greek-alabaster-portraitDetail of a Roman copy (2nd century bc) of a Greek alabaster portrait bust of Aristotle (c. …[Credits : A. Dagli Orti/© DeA Picture Library]
St-Augustine-reading-the-epistles-of-St-Paul-fresco-bySt. Augustine reading the epistles of St. Paul, fresco by Benozzo Gozzoli, 1468; in the church of …[Credits : Scala/Art Resource, New York]
Rene-Descartes-lithograph-19th-centuryRené Descartes, lithograph, 19th century.[Credits : The Granger Collection, New York]
David-Hume-oil-painting-by-Allan-Ramsay-1766-in-theDavid Hume, oil painting by Allan Ramsay, 1766; in the Scottish National Portrait Gallery, …[Credits : Courtesy of the Scottish National Portrait Gallery]
Immanuel-Kant-pencil-portrait-by-Hans-Veit-Schnorr-von-CarolsfeldImmanuel Kant, pencil portrait by Hans Veit Schnorr von Carolsfeld; in the Kupferstichkabinett, …[Credits : Marburg/Art Reference Bureau]
Edmund-Husserl-1930Edmund Husserl, c. 1930.[Credits : Archiv für Kunst und Geschichte, Berlin]
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