The period of the 3rd, the 2nd, and the 1st millennia bc was a time of drastic change in Europe. This has traditionally been defined as the Metal Ages, which may be further divided into stages, of approximate dates as shown: the Bronze Age (2300–700 bc) and the Iron Age (700–1 bc), which followed a less distinctly defined Copper Age (c. 3200–2300 bc). At this time, societies in Europe began consciously to produce metals. Simultaneous with these technological innovations were changes in settlement organization, ritual life, and the interaction between the different societies in Europe. These developments and their remarkable reflections in the material culture make the period appear as a series of dramatic changes.
Local developments were long thought to have been caused by influences from the eastern Mediterranean and the Middle East and by migrations. Thus it was suggested that the segmented faience beads from the rich early Bronze Age graves in Wessex were Mycenaean products or that development of bronze working in central Europe was due to the Aegean civilization’s need for new bronze supplies. New methods of absolute dating, including radiocarbon dating, revolutionized the understanding of this phase in prehistoric Europe. They showed that many supposedly interdependent developments had in fact developed independently and been separated by centuries. The Metal Ages of Europe thus must be understood as indigenous local inventions and as an independent cultural evolution. There were influences from, and contact with, the Middle East, and there were some migrations of people, especially from the Russian steppes; but the Metal Ages in Europe were in general far more locally independent phenomena than had been recognized. They grew out of conditions created in the Neolithic Period and the Copper Age, followed their own trajectory in Europe, and resulted in a range of new expressions in material culture and in new social concerns.
Clay-model-of-a-wheeled-cart-from-a-grave-atClay model of a wheeled cart, from a grave at Szigetszentmárton, Hung., end of the 4th …[Credits : © Hungarian National Museum, Budapest; photograph, Kardos Judit]
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Petrarch-engravingPetrarch, engraving.[Credits : © Ancient Art & Architecture Collection]
Voltaire-bronze-by-Jean-Antoine-Houdon-in-the-Hermitage-StVoltaire, bronze by Jean-Antoine Houdon; in the Hermitage, St. …[Credits : Scala/Art Resource, New York]
Jules-Michelet-detail-of-an-oil-painting-by-Thomas-CoutureJules Michelet, detail of an oil painting by Thomas Couture; in the Carnavalet Museum, Paris.[Credits : Giraudon/Art Resource, New York]
Georges-Duby-1988Georges Duby, 1988.[Credits : Patrick Robert—Corbis/Sygma]
Constantine-I-colossal-marble-head-AD-325Constantine I, colossal marble head, c. ad 325.[Credits : The Granger Collection, New York]
Infrastructure and influences of the Roman and Greek civilizations of old can still be seen in the …[Credits : Encyclopædia Britannica, Inc.]
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In the years following World War II, Soviet satellite governments sprang up in Eastern Europe and …[Credits : Acquired from Vast Video]
U.S. President Woodrow Wilson was among the statesmen who gathered in France in June 1919 to sign …[Credits : Encyclopædia Britannica, Inc.]